Downpour, 2019, sunlight using a magnifying glass on Nepalese paper, 26” x 16”

Message, 2019, sunlight using a magnifying glass on Nepalese paper, 13” x 11”

Sea Light, 2019, ink and sunlight (using a magnifying glass) on Nepalese paper, 6” x 6”

Spangled, 2019, ink and sunlight (using a magnifying glass) over gold leaf on Nepalese paper, 5” x 5”

Hinge II, 2018, pencil, ink and sunlight (using a magnifying glass) on Nepalese paper, 74” x 58”

Hinge II, 2018 (detail)

Still, 2018, colored pencil and sunlight (using a magnifying glass) on Nepalese paper, 52” x 44”

Still, 2018, (detail)

The Importance of Nothing, 2019, pencil, gold leaf and sunlight (using a magnifying glass) on Nepalese paper 68” x 57”

The Importance of Nothing (detail)

Not Nothing, 2017, sunlight (with magnifying glass) on Nepalese paper, 27" x 22"

Not Nothing, 2017 (detail)

The Edge of Visibility, 2017, pencil and sunlight (with magnifying glass) on Nepalese paper, 52" x 43"

The Edge of Visibility, 2017 (detail)

The Invisible is Real, 2017, pencil, sunlight (with magnifying glass) on Nepalese paper, 53" x 44"

The Invisible is Real, 2017 (detail)

Evidence, 2016, gold leaf and sunlight (with magnifying glass)  on Nepalese paper, 53" x 23"

Evidence, 2016 (detail)

Marking Time, 2016, pencil and sunlight (with magnifying glass) on Nepalese paper, 58" x 48"

Marking Time, 2016 (detail)

Absence as Surplus 2016 (detail) 

Absence as Surplus (from Anne Carson), 2016, pencil and sunlight (with magnifying glass) on Nepalese  paper, 52"x 45" 

What Remains, 2015, sunlight (with magnifying glass) on Nepalese paper, 50" x 49"

What Remains (detail) 2015